The thing about postmodernism is that there is no one-way to define it. That is apparently the most postmodern thing about it. Where do critics fit into this postmodern picture? After I go watch a film I like to read reviews, and although it interests me to see what people have to say about it I don't think it defines my own opinion of it but that's only because I probably have the same knowledge as them and can put that same knowledge into a different perspective.... but what about people without that knowledge? Must they depend on a singular person's perspective? Critics are forever trying to pass off their own opinions on things as the "right" one. Is there a right opinion? If there is, then clearly postmodernism is dead. Postmodernism only came into being because of the knowledge of the fact that there was far too much knowledge in the world to narrow information down but here are people who are making a whole career out of narrowing it down for us.
It can't be helped.... if enough information leads you to one direction then, unless you have access to all the other information, you tend to follow in on that one. Isn’t that a deconstruction of postmodernism? All art, all film... is in theory post modernistic and yet we have art awards and film awards. Does an Oscar winning film automatically mean a film's good? There has never been a theory or set of rules that defines what makes a good film, good and good art, good. It’s all personal. You take from films and art what you will. Titanic sailed through all the Oscars that year...and one year later those same critics that applauded it, suddenly decided it was no more than a soppy, romantic film. Postmodernism was still standing to an extent...but what is its place in the 21st century? I can't help but think we're slowly progressing into a post-post modernistic age, where all the distinctions we took away are being brought back into force. We’re redrawing all the lines we once rubbed out. How do I define a film in documentary, narrative or experimental? Are there no other genres? Do all the films I ever made not even count? If film and art is postmodern, is its interpretation becoming post-post modern? Will the two coexist? If not which one will survive?